Kelly Rosetti’s conception of the human form is portrayed through renderings of loose and expressive figure drawings. Her work combines personal abstract elements to a technical medium.
Much like an impressionistic painting, she depicts movement and lack of descriptive detail giving her work has a sense of delicacy.
Rosetti’s non-representational work begins with an unpremeditated blank canvas. Experimenting with action painting, she uses gestural and spontaneous movements while to create a chaotic webbing of patterns. As her work emerges she gives into the chaos, building the piece into a painting.